

i-D and Harper’s Bazaar España demonstrate there are still ways to stop traffic with strong cover visuals. Eye like.


i-D and Harper’s Bazaar España demonstrate there are still ways to stop traffic with strong cover visuals. Eye like.
‘Eye Wall’ by street artist JR.

Juniper and vanilla infusing in fresh milk, by Modern Farmette.

Reflections, Stavsvägen, Tungelsta, Välsta, Sweden, by Sana Linn.

Rika Magazine’s killer collage cover featuring model Jessica Stam.

Afternoon light in my office.

Exploring the River Seine and other sites of Honfleur, France in Greg Swales’ romantic images for Elle Vietnam.
If you’re not familiar with Paul Octavious, perhaps you’ve been buried beneath a hill?! I was introduced to his work via instagram last year and was immediately taken by his stunning offbeat photography and design work. He’s since become an internet superstar. Based in Chicago, he has partnered with The New York Times, The New Yorker, The Paris Review, Pitchfork, Nike, Threadless and many other blue chip publishers and brands. But it’s his personal projects and random snaps that delight and inspire me most, specifically “Same Hill Different Day.” Octavious has photographed the same hill along a lakefront near Montrose Harbor over the past couple years - from quiet foggy mornings to afternoon kite festivals to fireworks at night. It is simple in premise yet extraordinarily beautiful.










Be sure to check out Paul’s site and his killer instagram feed. My sister and I always joke that he is either one step ahead or behind her on the streets of Chicago – they hang at a lot of the same places. In fact, I saw Paul at Renegade Craft Fair in Bucktown last month, but he had a video cameo filming him, so I didn’t want to interrupt. Too bad! Would love to thank him personally for his inspiring work.

Fifties model Jeannie Patchett in a striped headscarf on the cover of July 1951 Vogue. Simple – and yet so striking. Once again, would love to see more timeless images like this on today’s Vogue. I think the magazine can do so much better, especially with creatives like Grace Coddington and André Leon Talley involved. This month’s cover with Keira Knightley is uninspired (though Lady Gaga’s September issue made a fantastic and strong statement). Dig deeper Vogue!
(Source: We Heart Vintage)
Mmmmm, how fabulous is this 1950s ‘Grand Guignol’ gown by Christian Dior? Featured here in Vogue, May 1951. A soft shirt of silk organdie with a slash of red panels over the black taffeta skirt. Delicious, and more remarkably, timeless.
(Source: We Heart Vintage)
I’ve been unfashionably lazy when it comes to work attire of late. It’s summer and sweaty-humid-hot in NYC and I haven’t been putting in the effort. This desk/accessory inspiration is just what I needed! Now excuse me as I get back to typing…
(Source: birdietobe, via wehavenostyle)

I forgot to tell you I was on Street Chic in ELLE Magazine last month! Summer top knot, check. Vintage dress, check. Ginormous Mary Poppins bag with 3 Juice Presses, a computer, Monocle and 9 lbs of trail mix. Cheeeeeck. Click here for a list of the designers.

Swimsuits in the dessert, 1949 Vogue. I’d like to see more surreal fashion spreads like this. Stop playing it so safe, Anna!
(Source: We Heart Vintage)

Happy Pride! The New Yorker cover, entitled “June Brides,” by Gayle Kabaker.

Today’s inspiration: red headed kinda androgynous PAPER Magazine cover girls from the UK who rule.

Collages as a medium are definitely having a moment. And if you’ve ever browsed this blog, you know that makes me very happy! I’m intrigued by the work of acquaintance Agnes Montgomery and I enjoy collaging with friends. I like seeing them on more magazine covers, now, too.


This condom is a piece of art. Gift from Dasha Zhukova and the kids at Garage Magazine.

ALL ABOUT this new Monocle issue: Australia, A Superpower in the South Pacific. While I was living there 2000-01, the country was a bit of a sleeper. Unaffected by the global financial crisis, and boosted by export demands from China, that’s no longer the case.
“With a pivotal geographic location, a vibrant media culture uniting both Asian and European markets, and a flourishing defense sector, Australia is in prime position to become a new, fresh-faced regional superpower.”

No, Kate Moss in a glossy is nothing new. But hats off to W Magazine and stylist Edward Enninful for a cover and fashion spread that is. Captivating.